Segue suggestion XVII

While listening to Downy Mildew's "Left Foot Down" yesterday, I had an epiphany.  I don't know how I didn't think of it earlier, but "Left Foot Down" would flow well into "Anywhere" by Ratboys.  The songs have compatible lyrics about pursuing someone rather insistently, set to catchy, uptempo rhythms.

One could argue that both sets of lyrics aren't far removed from stalking, but I'm choosing to overlook that and just enjoy the tunes. 

A function of age XLVIII

Although it doesn't affect the sound of the record, I was puzzled to see that the cover of my LP containing two Mendelssohn symphonies looked more worn and scuffed than I remembered.

I thought, "How can this be?  I just bought this album in--um, well, 1986--a 'mere' 40 years ago.  Actually, that's only recent geologically speaking." 

Context? CDXLII

I find it amusing and refreshingly honest that there's a radio retirement planning program called "Keep What's Yours."

It would amuse me even more if the show used "I Me Mine" by The Beatles as its theme song.

FM dial scan highlights CCCVII

Today's standouts:

WSIE 88.7 FM 

• Snake Bone-Lou Donaldson (This is one of the hippest late '60s instrumentals I've heard, and not just because of Donaldson's saxophone playing.  Charles Earland's organ playing is also essential in maintaining the groove, and every instrumentalist contributes something noteworthy to this tune's mood.)

KCLC 89.1 FM

• Don't Get Me Wrong-The Pretenders (Still one of the classier ways to say that someone has caught your eye.  The Pretenders have had a consistently impressive track record, which is why I've recommended them many times.)

KCFV 89.5 FM

• AA Is For Quitters-From Mars To Venus (I paid less attention to the lyrics and more attention to this tune's general vibe as I listened.  This is indie rock with an ear-catching Celtic swing.)

KWUR 90.3 FM

• Freda Swain: Concertino For Clarinet and String Orchestra. "Lumine naturi:" III. Allegro assai (London Mozart Players/John Andrews, conductor; Peter Cigleris, clarinet) (Impish, fluttering clarinet trills give way to gripping drama.  This is a compelling blend of clarinet and strings.)
• Alexander Scriabin: Piano Sonata No. 2 in G-sharp minor, Op. 19: I. Andante (Daria Vasileva, piano) (Lush and lyrical.  This movement is subtle initially but demands the listener's attention during its forceful passages.  Sidebar: I was disappointed to see that I was the only person listening online during this portion of "Musica esoterica."  The announcer said he was about to play some requested selections for another listener, though, so I trust that she was listening to the radio.) 

SiriusXM highlights CLXXV

Today's standout tunes:

'60s/'70s R&B Hits

• It Only Takes A Minute-Tavares (The subject matter of "...Minute" differs considerably from "Back Stabbers" by The O'Jays, but those songs are rhythmically compatible.) 

Country Coffee House

• Conversations With The Moon-Kitty Coen (Modern-sounding low-pitched vocals against a backdrop not unlike many '50s doo-wop songs.)  

B.B. King's Bluesville

• Mind Your Step-Laura Chavez (Electric guitar stylings with considerable grit, fit for hitting the open road.) 

Luna 

• Teach Me Tonight-Tito Puente (This instrumental's cha-cha rhythm makes it easy to segue with Les Brown's bossa nova version of "Begin The Beguine.") 

Real Jazz Just Music

• The Song Is You-Pat Bianchi (Bianchi's lightning fast organ playing serves this standard well.)

SiriusXM Love

• (Your Love Has Lifted Me) Higher And Higher-Rita Coolidge (Jackie Wilson had a big hit with this in 1967.  Ten years later, Coolidge had an even bigger hit with it.  Coolidge's vocals, and a slower yet still energetic tempo, made this an especially strong remake.) 

Watercolors

• Carmel-Joe Sample (This has a bit more bite than I'm used to in Sample's solo piano recordings.)

Yacht Rock Deep Cuts

• Little Darling (I Need You)-The Doobie Brothers (A perfect cover; Michael McDonald handles lead vocals with his customary force.  The instrumental interlude from 1:40 until 2:08 is one of the most infectious I've heard, as it builds upon the momentum of McDonald's preceding vocals.  How was this not a hit?)

The challenge of being in the background

Recently, I listened to Porcupine's self-titled CD, which I hadn't heard in a while.  As I listened, I thought, "There's a pleasant consistency to these tracks--appealing smooth jazz with easy-to-digest keyboard parts, sunny saxophone, and a good undercurrent of bass.  I wonder why I've never heard this group's music on the radio."

I knew the answer, though.  When your music is consistent but consumed largely as background accompaniment, it's easy for it to get lost in the shuffle of similar-sounding artists.

Such is the challenge smooth jazz and new age artists face.

Persistent earworm alert CDXLII

The electricity has gone out five times today.  The first four times, the power outages only lasted, at most, about as long as Chopin's "Minute Waltz."  The fifth power outage, however, lasted over 20 minutes.

It's interesting to ride out a power outage with "Minute Waltz" playing on a back-of-the-mind mental loop 20 times.  Who knew that such a fast piece could have such a calming effect?