Segue suggestion XVI

As I listened to Sarah McLachlan's "Drawn To The Rhythm" last night, I thought about how well Fairport Convention's version of Joni Mitchell's "Eastern Rain" would flow into it.  "Eastern Rain" fades in slowly, and "Drawn To The Rhythm" continues along a comparably subtle path.

With such quality contemplative material, it's reasonable to ask listeners to lean in, as these songs do.

FM dial scan highlights CCCIII

Five standout tunes heard today:

WSIE 88.7 FM

• If That's True-Esperanza Spalding (This jazz combo cooks, to say the least, and Spalding's bass playing provides the foundation.)
• Scenes From An Italian Restaurant-Billy Joel (Joel's best song, in my opinion; the way the song comes full circle, the well-told coming together and estrangement of Brenda and Eddie, an impressive piano part...There's a lot to like here.)

KCLC 89.1 FM

• 'Til My Heart Stops-The Beths (There's an endearingly honest vulnerability in the lyrics and vocals.  The more I hear of The Beths, the more their consistency impresses me.)

KWUR 90.3 FM

• Does Anybody Really Know What Time It Is?-Grant Green (A hip jazz guitar cover of the Chicago hit.  Grant plays the theme upfront and then expands upon it compellingly for the duration.)
• Anna-The Menzingers (A high energy, appealingly guitar-heavy way of conveying how much you miss someone.)  

The allure of shuffle mode XCVI

I was intrigued this afternoon when iTunes shuffle mode segued Erin Bode's "Out Of Time" with "A Darker Kind Of Blue" by Brooks Williams.  After listening to those songs separately for years, I hadn't thought to pair them.  Lyrically, it's a compatible twosome; whether it's a relationship or a problem-plagued life, possible solutions come with expiration dates.

Persistent earworm alert CDXXXI

Since enduring a storm with loud hail this morning, "Popcorn" by Hot Butter, a synthesizer instrumental, has been on my mind.  Popcorn, to me, mimics the sound of hail, and Hot Butter's 1972 hit conveys the turbulence of a storm.  With an ominous forecast for more stormy weather later today, "Popcorn" will likely park itself in my mind again for hours.

Incidentally, I don't think I've ever heard anyone play "Popcorn" outside of "American Top 40."  It's one of those set-firmly-in-its-time instrumentals that didn't make the jump to oldies radio rotations.

Segue suggestion XV

While listening to Bruce Cockburn's "Deer Dancing Around A Broken Mirror" recently, I realized how well it would segue with a comparable guitar instrumental, Leo Kottke's "The Fisherman."  The tunes could follow each other in either order, as both of them show how it's possible to be placid and uptempo.

Steering into the skid X

I'm not 100% sure, but I think I first heard Maura O'Connell's "Feet Of A Dancer" on the former KDHX show, "Blue Highways."  I've rarely heard it since then, but a few times over the years, I've thought of it when I've tripped and had to grasp onto a sofa or chair.  I've adjusted the opening lyric for those incidents by thinking, "I do not have the feet of a dancer..."

I've reminded myself that as long as I'm coordinated enough not to break any bones, an occasional fall is tolerable--provided there's a sofa, chair, or other soft landing option within my grasp. 

Community Radio St. Louis highlights IX

Five of the stronger tunes played today on crstl.fm:

Sweet Inspiration 

• Mental Revenge-Linda Ronstadt (It's interesting hearing Ronstadt in this 1970 context, with prominent fiddle backing, tempo shifts, and more of a country bent.  Lyrically, this is an honest way of saying, "I can't stand you," and it could be a companion piece with "You're No Good.")

Beyon' Cray

• Please Pardon Me (You Remind Me Of A Friend)-Rufus featuring Chaka Khan (With vocals and instrumental backing this strong and heartfelt, how was this 1974 track not a hit?)
• Cosmic Ray-Ray Charles & Milt Jackson (An enjoyably energetic piano-and-vibraharp instrumental.)

Dangerous Curves

• Drink The Ocean-Gabi Hartmann featuring Oracle Sisters (There's a relaxed, fanciful, floating vibe in the vocals and instrumentation.)
• No-Mina (Whether translating this from Italian to English or just listening to it in Italian, this is a pretty direct rejection of someone.)