Friday, April 10, 2026

Context? CDXXXI

Given the recent spate of calls I've received that show up on caller ID as "SPAM RISK," I'm tempted to install an answering machine and use the chorus of Zebra's "Tell Me What You Want" as the outgoing announcement.  These spammers deserve to hear, "Tell me what you waaaaaaant!  Tell me what you want!" blaring in their ears, at a minimum.

Sidebar: Does any radio station still play this Zebra tune?  I've almost never heard it since 1983.

Thursday, April 9, 2026

The allure of shuffle mode XCV

I've had these three CDs in my library for years but had never thought to segue these three tunes.  iTunes shuffle mode did, however, resulting in an elegant late night jazz set:

  • Nocturne-Toots Thielemans
  • Waltz For Monk-Mulgrew Miller
  • Twilight Mist-Lee Morgan
I especially like that a different lead instrument takes command on each track, from harmonica to piano to trumpet, while maintaining a compatible flow with the track before or after it.  If I programmed a jazz station, I'd play these three instrumentals in a row.

Wednesday, April 8, 2026

FM dial scan highlights CCCI

Five of the better tunes I've heard today:

WSIE 88.7 FM

  • The Gift-Roy Hargrove (An appealing energy and great synergy between the trumpet, piano, bass, and drums.)
  • Sunset Glow-Lawson Rollins (A pleasant smooth jazz guitar groove.)

KCFV 89.5 FM

  • Fool's Gold-Sofia Carson (A direct way to ask, "Is this relationship worth pursuing?")

KWUR 90.3 FM

  • Pendulum Swing-Courtney Marie Andrews (Lyrically, this January release captures the inevitability of life careening from one extreme to another.)
  • Heavy Foot-Mon Rovia (An engaging folky vibe paired with timely lyrics for Americans about resisting corrupt authoritarian regimes.)

Tuesday, April 7, 2026

An overlooked cover tune CXCI

Usually, when I hear my favorite hymn, "Christ The Lord Is Risen Today," a large choir is singing it, an organist is playing it, or an instrumental ensemble is performing it, often with prominent trumpet fanfares.

On Easter Sunday, however, I heard an unusually modest version of it on KFUO AM.  Bob Singleton & New Covenant Collective played a tasteful, subtle acoustic guitar rendition with shades of John Fahey's style.  As I listened, I thought, "News intended to elicit rejoicing doesn't always have to be sung or played with wild embellishments, as our national anthem sometimes is."

Sometimes, less is more, and an understated approach is as valid as any flourish of trumpets. 

Monday, April 6, 2026

Community Radio St. Louis highlights VIII

Monday morning standouts:

In The Middle Of The Night

  • Ocaso-Melissa Aldana (Aldana's warm saxophone tone on this February release reminds me of Ben Webster.)
  • My Funny Valentine (Live At Newport)-McCoy Tyner (Sublime piano playing from Tyner and trumpet playing from Clark Terry.)
  • Our Old Street-Pat Metheny (Another thoughtful atmospheric guitar piece from Metheny.  If you like the feel of his "One Quiet Night" CD, you'll likely enjoy this February release.)

Early Morning Mix

  • El 4-5-6-Los Brito (Fun bossa nova vocals and brassy instrumentation.)
  • Blues Rhapsody-James Booker (Expertly blended blues and boogie-woogie piano styles.)
  • Joan Ambrosio Dalza: Saltarello and Piva (Christopher Wilson, lute, and Shirley Rumsey, lute) (Pleasant, accessible pre-Baroque lute stylings.)

Sunday, April 5, 2026

Why not sing?

Sometimes, when people break into song in a sitcom, drama, or stage production, I'm inclined to follow comedian Neal Brennan's lead and say, "Just tell me."

While watching the Good Friday Mass on Catholic TV Network, I thought, "These extended portions of the Mass don't need to be sung, but why not sing them anyway?"  While watching the Easter Sunday Mass, I thought,  "The gospel is usually read instead of sung, but again, why not sing it?  After all, these Masses are centered around the crucifixion and resurrection of Jesus Christ, which are central to this faith, so why shouldn't the celebrants sing about them?  After all, if ever there are times when it's appropriate to ask the congregation to lean in and pay close attention, it's when recounting these momentous events."

That said, if you're relying on closed captioning, it might be wise to have a hymnal and missal handy when the captioning descends into linguistic and grammatical garble.  During the Easter Sunday opening hymn, "The Strife Is O'er, The Battle Done," closed captioning turned the verse, "The powers of death have done their worst," into "Dust mite your spouse have done their work." 

I'm not sure the accomplishments of dust mite spouses warrant breaking into song, but if you're so moved, that's your prerogative.

Happy Easter to everyone who celebrates it.

Saturday, April 4, 2026

Context? CDXXX

During a 1984 Kansas City Royals baseball game, I heard a radio announcer say, "The problem for the catcher and the knuckleball--Look at the size of the glove that (one player) is using...You don't know where the knuckleball's gonna go, and if the runner breaks, as (another player) did that time and you get the ball in the glove...the catcher has to go fishing around in that big glove to find the ball, ...get a grip on it, and get it down to second base.  That all takes time."

According to the proverb, "A poor workman blames his tools."  I don't know if any player affected by that scenario has ever blamed it on a large glove, but nothing says a baseball announcer can't point it out.

To date, that's the only time I've heard a play-by-play broadcaster call such attention to the connection between a particular pitch and the size of a player's glove.