Dibs II

Feel like hearing an LP, 45, or CD in Watchcat Collette's assigned sector?  Watchcat and music coordinator Collette will play it for you--as long as it's a selection she also wants to hear:

Watchcat Collette, guarding the music library on February 20, 2026.

Only so much space II

Due to the limited number of characters permitted in a playlist's song title column, Vince Guaraldi's "Cast Your Fate To The Wind" became "Cast Your Fate To The Win" on one radio stations's website recently.

The loss of one letter changes the song title's implied attitude considerably.  To me, "Cast Your Fate To Win" suggests, "Be prepared to cope with the loss of anonymity if you win the lottery." 

Online radio sampler highlights CCCV

Thursday morning highlights:

KDVS (Davis, CA)

• How It Started-Holly Palmer (Interesting, spacey vocal wizardry and a solemn piano backdrop.)
• Jardim-The Echocentrics (A captivating echo obscures the vocals against a turbulent beat.) 

KONA (Kailua-Kona, HI)

• King's Serenade-Keola Beamer (This pleasant guitar instrumental could segue with Nashville Mandolin Ensemble's "Frangenti" or Ken Bonfield's "The Passing.") 

KOTO (Telluride, CO)

• Rainy Day-America (The melancholy feel of this early vocals-and-acoustic-guitar America track would make it flow well into Bernie Leadon's "Glass Off.")

KRTU (San Antonio, TX)

• Sugar-Stanley Turrentine (Ron Carter's cool walking bass line underscores this expansive groove.  Freddie Hubbard has ample room to soar on trumpet, George Benson has plenty of space to stretch out on guitar, and Turrentine has 10 minutes to do the same on tenor sax.)

WMST (Mount Sterling, KY)

• Perfidia-Linda Ronstadt (What listener of taste could resist this emotive, skillfully played and sung middle-of-the-night bolero?)

WZLY (Wellesley, MA)

• Lagoon-Dora Jar (An admirably frank way of being at peace with knowing that no one understands you completely.)

An atypical standout XVI

When I think of the classic Beatles album, "Rubber Soul," I usually think first of my three favorite songs from it that fall right in a row--"I'm Looking Through You," "In My Life," and "Wait."  In recent years, however, I've gained more of an appreciation for "What Goes On."  While Lennon & McCartney compositions were the group's default setting, "What Goes On" is a Lennon, McCartney & Starr-composed tune with Ringo Starr singing lead.  Starr's influence gives the tune a lighthearted bounce despite the lyrics accusing a woman of telling lies.  My favorite part of the song is during the last chorus, however, when Paul McCartney underscores the lyrics assertively on the bass, making me want to have that portion on a loop.  I nearly always turn that final chorus up and think, "That's how you finish strong--and walk the line of being assertive without being aggressive."

Once cutting edge, now common

When it was released in 1980, Pat Benatar's "Hit Me With Your Best Shot" impressed me by sounding both catchy and edgy for its time.  It amuses me now to think that back then, it was relatively edgy and would only be heard regularly on St. Louis's two album rock stations, KSHE and KWK.

A few mornings ago, "Hit Me With Your Best Shot" was played on three stations here, including one generally described as a hot adult contemporary station.

These days, so-called adult contemporary stations have room in their playlists for Pat Benatar, Prince, and even certain Aerosmith ballads.  That would have been unthinkable in the '80s.  Hearing "...Best Shot" so frequently decades later is a reminder that what was once edgy eventually becomes mainstream.

Context? CDXLVII

A radio announcer who accidentally gave the wrong time and said it was May instead of July admitted that he was in "a different temporal space today."

That's a classy, honest way of saying, "I goofed." 

Once a DJ, always a DJ? III

When most people see that the current temperature is 77 degrees, they probably think, "It's feeling kind of warm."  When I see a temperature of 77, however, I immediately think or sometimes say, "The first voice in St. Louis, 77 WEW."

That slogan I used to say on the air is still a strangely entrenched habit with me 30 years later.  I don't know if I expect the station's former studio to appear or a Nat King Cole song to start playing when the slogan comes to mind, but 77 will always be associated with that radio station for me.