Sunday, May 31, 2026

Persistent earworm alert CDXXXIX

Although Paul Simon wrote "Can't Run But" long before artificial intelligence, the tune's general vibe about a loss of humanity comes to my mind every few days lately.  It's rare these days for me to go more than a few days without reading about an AI glitch or people relying on it instead of thinking for themselves.

The song also comes to mind on a day like today, when I've gotten a decent amount of sleep but still feel sluggish.  It's strangely motivational while also acknowledging that some days are inevitably worse than others.

Saturday, May 30, 2026

Persistent earworm alert CDXXXVIII

My mind is craving a break between one long worknight and another.  Thus, the recurring mental loop of "Guantanamera," as played soothingly by The 50 Guitars...

...I'm not sure why it took so many years for my mind to conjure up such a familiar, much-covered melody as an earworm, but now that it's here, I'm fine with it not leaving soon. 

Friday, May 29, 2026

SiriusXM highlights CLXXIII

Friday morning standouts:

1st Wave Deep Cuts

  • Leave In Silence-Depeche Mode (A clear sign that a relationship has ended.)

Acoustic Guitar Instrumentals

  • Some Forgotten Color-Spencer Elliott (Music for cloudy day contemplation.  I pictured a wheel turning continuously as I listened.) 

The Bridge

  • Your Smiling Face-James Taylor (Too often, how-lucky-I-am-to-be-with-you songs err in being too overwrought.  Taylor's song escapes this trap, thanks to an unusually uptempo arrangement, resulting in one of his best hits.)  

Classic Folk

  • Flowers Never Bend With The Rainfall-Simon & Garfunkel (Eloquent lyrics about staying true to one's convictions in the face of opposing forces.)
  • America The Beautiful-Keb' Mo' (Keb' Mo''s bluesy approach to this should-be-national-anthem on the guitar and vocals serves it well.)

Country Coffee House

  • Deeper Well-Kacey Musgraves (A flashing sign about when it's wise to cut ties with people or habits that are too destructive.) 

Deep Tracks Just Music

  • Up The 'Pool-Jethro Tull (An interesting song about a quirky town.  I have the impression that while it might not be everyone's cup of tea, those who live there are proud to call it home.) 

The Loft

  • Till Your Mind Is Shining-Peter Gabriel (How does one's mind process its thoughts?  For that matter, how does artificial intelligence process the information it gathers?  Gabriel's new release raises these questions.) 

Mom Jeans

  • Orinoco Flow-Enya (Many listeners who don't know any other new age vocal tracks offhand likely know this tune, thanks to its frequent airplay when it was released and its "Sail away, Sail away, Sail away," hook.)

North Americana

  • Diggin' In The Coal-Leah Blevins (This endearing January release has heartwarming lyrics about holding onto the people who mean the most to you.  Rhythmically and vocally, it falls somewhere between the Dixie Chicks and Fleetwood Mac.) 

Real Jazz

  • Time-Lafayette Harris, Jr. (This elegant, melancholy piano-and-trumpet number could segue with multiple versions of "I Can't Get Started.")

Yacht Rock Radio

  • Never Be The Same-Christopher Cross (Even after a relationship ends, the impression a person has made usually lingers.  The tune's upbeat, poppy arrangement takes the edge off of the rejection, so it's not surprising that this was a relatively big hit for Cross in 1980-'81.) 

Thursday, May 28, 2026

Online radio sampler highlights CCXCVIII

Thursday morning highlights:

KEPC (Colorado Springs, CO)

  • Starlight-Cannons (This January release is familiar yet fresh dream pop.  Its endearing lyrics are about finding "the one" despite putting up barriers.)
  • Planting Tomatoes-Lucy Dacus (This track, released in April, is a sobering reminder to appreciate the people in our lives and what's around us, with a dash of "Pleasant Valley Sunday"-style observations.) 

KRCL (Salt Lake City, UT)

  • If I Called You-Kendra Morris (This is from 2025, but the vocals and guitar underpinning could pass for '70s throwbacks.  It's one of the catchier earworms I've heard recently.)

KKYX (San Antonio, TX)

  • Smoky Mountain Rain-Ronnie Milsap (Glen Campbell could have recorded a solid cover of this.)
  • Angel Of The Morning-Juice Newton (Newton's cover version captures the spirit of the 1968 hit by Merrillee Rush & The Turnabouts.  Both versions deserve more airplay these days.) 

WSLR (Sarasota, FL)

  • Last Train To Skaville-Jackie Mittoo And The Soul Brothers (Impressive saxophone playing in conjunction with train sound effects.)
  • Bacoa-Martin Denny (A sinister-sounding yet intriguing instrumental.  This is jazzy easy listening with an edge.  Conceivably, it could underscore footage of a lunatic steering a gondola into a cave.)

WVSS (Menomonie, WI)

  • Libby Larsen: Deep Summer Music (Colorado Symphony Orchestra/Marin Alsop, conductor) (Learning that this piece was harvest-inspired primed me to like it, as that means pastoral-sounding strings, winds, and brass.)

WWOZ (New Orleans, LA)

  • Paradox-Sonny Rollins (I'm glad that WWOZ's tribute to jazz saxophone giant Rollins included this skillful blend of straight ahead jazz and Latin influences.  I was also pleased that the station honored his memory with my favorite melody of his, "St. Thomas.")

Wednesday, May 27, 2026

2025 retcon

I've written previously about how much Wolf Alice's song, "White Horses," appeals to me.  After going back to the band's "Saturday Night Live UK" performance and studio version many times over the past two months, I'm retroactively declaring it my favorite song of 2025.  In addition to the reasons I cited in my previous post, I also admire the central point of the lyrics.  I'm extremely fortunate to have a great family.  Not everyone is that lucky, however, and in those cases, it should be their "choice to choose who (they) embrace as family," as the lyrics decree.  That subject matter isn't typical of driving indie rock, but it works to great effect in "White Horses."

Tuesday, May 26, 2026

In memory of Sonny Rollins

Jazz saxophonist Sonny Rollins had a long stretch of noteworthy recordings during his 95 years of life.  In his memory, these are 10 tunes I recommend:

  • Best Wishes (Live) (Rollins's saxophone playing is joyful in this expansive uptempo tune.  I'm glad the audience was so appreciative.) 
  • God Bless The Child (It doesn't surprise me that there are so many versions of this tune.  Its strong, thoughtful melody works equally well when sung or played on the guitar, piano, or, in this case, tenor sax.  This expansive rendition gives the listener ample time to hear Rollins's smooth, ringing tone.)
  • How Are Things In Glocca Morra? (Rollins carries the melody on tenor sax perfectly, and Wynton Kelly's piano playing adds considerably to the song's atmosphere.)
  • I Can't Get Started (with Roy Hargrove) (Rollins and Hargrove show that this often-sung standard works just as well as a saxophone-and-trumpet duet.  The tune's heart shines through in any context.)  
  • Isn't She Lovely? (Thanks to the 45 my dad gave me when I was in grade school, this was the first Rollins recording I ever heard.  I was impressed by how skillfully Rollins converted this Stevie Wonder song into a saxophone instrumental.) 
  • Lust For Life (The stairstep-style trumpet intro, and the way it sets the stage for Rollins's saxophone, made me hear, at an early age, what sets jazz apart from all other forms of music.) 
  • Mambo Bounce (A hip tenor sax melody that would serve traditional jazz and easy listening playlists well; although it might be a stretch for some listeners, it could segue with Percy Faith and his orchestra's "Go-Go-Po-Go.")
  • St. Thomas (Rollins composed this infectious Latin jazz rhythm and carried it off on saxophone, making it my favorite track of his.  Also recommended: Ron Carter's rendition, which shows how well the melody also works on the bass.) 
  • There Are Such Things (One of several sax-based gems from the album, "Worktime."  For more uptempo fare, check out "It's All Right With Me.")
  • Til There Was You (I've always liked the smooth sensitivity with which The Beatles covered this, but Rollins conveys a similar carefree outlook on the saxophone.)

Monday, May 25, 2026

Community Radio St. Louis highlights X

Five standout tunes heard yesterday:

Songwriters Showcase

  • If Heaven-Gretchen Peters (These lyrics confront the uncomfortable reality that we can't all be on Earth with everyone we'd like to have with us at the same time.  They also, however, offer listeners comfort that there's a place where that reality is possible.) 

Folks Of The World

  • Tata Dios-Linda Ronstadt (Ronstadt's captivating vocals convey lyrics about accepting one's fate--or at least not questioning it.)
  • Paidushka-Basork (Every instrumentalist in this ensemble creates tension convincingly here.)

R.S.V.P.

  • It Never Entered My Mind-Miles Davis Quintet (A warm, captivating rendition of this standard, due in large part to Davis's resonance on trumpet and the ambience of Red Garland's piano playing.  This could have segued easily with...)
  • My Funny Valentine (Live At Newport)-McCoy Tyner (...Tyner's contemplative piano version of this standard.  Clark Terry's trumpet playing is key to the melancholy bent of this melody.)

Sunday, May 24, 2026

FM dial scan highlights CCCIV

Five standout tunes heard this morning:

WSIE 88.7 FM

  • All Blues-Nicholas Payton & Butcher Brown (An interesting rendition of the Miles Davis tune, released in February, with just enough of a contemporary sheen.)
  • Hot Sauce-Randy Brecker (This appealing uptempo trumpet melody, released in February, should appeal to any rhythm section player with even a modicum of energy.)

KSHE 94.7 FM

  • Using The Power-Climax Blues Band (Energetic idealism that isn't preachy.)
  • Cruel To Be Kind-Nick Lowe (Lyrically, the tune expresses a philosophy that's questionable, at best.  It's extremely catchy power pop, though.  Sidebar: Bravo to KSHE for a unique spin on what would ordinarily be the station's annual Rock And Roll 500 countdown.  Letting 50-year KSHE veteran John Ulett play his 500 favorite album rock tunes is resulting in a fresher countdown with more surprises than usual.  When you've been with a station for five decades and have the depth of musical knowledge to pull this off, why shouldn't you be allowed to do this?)

KLOU 103.3 FM

  • Head Over Heels-The Go-Gos ("Head Over Heels" and "Turn To You" are the band's two catchiest hits, in my opinion.  It's no coincidence that both tunes share a similar energy.)

Saturday, May 23, 2026

Post-show music to enjoy

To cope with the withdrawal I'm feeling after the end of "The Late Show With Stephen Colbert," I've watched various performances by Louis Cato & The Great Big Joy Machine.  "Gratitude" is the song I think I'll miss most as bumper music.  It's sunny, brassy, accessible jazz and a welcoming way to wake up.  If "Gratitude" was playing on the clock radio, I'd think, "Well, that's one positive thing that has happened so far today."

Friday, May 22, 2026

Context? CDXXXVII

Although I enjoyed the festive atmosphere that Paul McCartney created for everyone with "Hello, Goodbye" on the final episode of "The Late Show With Stephen Colbert," I also enjoyed the appropriate lyrics in the Elvis Costello song before it, "Jump Up."  Considering the political climate in which Colbert's show ended, it was fitting that Jon Batiste, Louis Cato, Costello, and Colbert sing a song about the empty promises some politicians make.

Years ago, I wrote a poem.  In the center of the page, I wrote, "A promise is just a plan of the moment." In a circle around it, I wrote a series of promises that people make but often don't fulfill, such as, "I'll give you a call," "I'll make you a tape," and "We'll have lunch sometime."  I thought back to writing that poem as the quartet sang about being careful not to trust a supposed guarantee someone gives you. 

Quite often, people just say what they think works to their advantage in the moment or allows them a graceful exit from a conversation or a situation.  When people throw caution to the wind by taking the bait, the consequences are sometimes dire.  That's the situation this country is in now--and the one in which Colbert's show concluded last night.

Thursday, May 21, 2026

An appropriate algorithmic tie-in

This morning, I called up the Aragorn Ballroom Orchestra's version of "Theme From 'The Lord Of The Rings'" on YouTube.  My father passed that 45 on to me in the late '70s, and it has remained a favorite instrumental of mine since then.  Despite what the ensemble's name suggests, this isn't your standard tepid, strings-sweetened easy listening version of a familiar tune.  The players really commit to it and give it every ounce of energy they have.  If you liked "American Top 40"'s mid '70s to early '80s closing theme, "Shuckatoom," you'll likely enjoy this, as well.

Fittingly, that selection triggered the YouTube algorithm to suggest a People interview with Stephen Colbert about "The Late Show" ending tonight and his plans for the future, which include co-writing a "Lord Of The Rings" script.

Here's wishing Colbert success with that script and all of his future projects.  Bravo to him for speaking searing truths to those in power.  Clearly, they have deserved to hear them via "The Late Show With Stephen Colbert" since 2015.

Wednesday, May 20, 2026

Persistent earworm alert CDXXXVII

I've written multiple posts about my ongoing battle with dysphonia, which sometimes compromises my ability to speak.  After a recent setback with a botox injection in a vocal cord and cold and allergy issues, the song, "If I Only Had A Brain," which I've renamed "If I Only Had A Voice," has been on my mind.  At the moment, it has to stay in my mind, since I can't exactly sing it.  My regular voice has popped in here and there today, however, so I'll latch onto all the glimmers of hope I can.

Even when my voice comes back fully, however, I still don't think I'll sing it.  Even without dysphonia, my signing range has always been rather limited.

Tuesday, May 19, 2026

A function of age XLVII

Following up on yesterday's yacht-rock-as-comfort-music theme, you know your comfort music is rooted firmly in the past when you play a stack of 45s, as I did recently, realize that the most recent song is from 1982,...

...and it doesn't bother you a bit.

Monday, May 18, 2026

A function of age XLVI

As often as I've plugged new or obscure music on this blog, there's something comforting about a yacht rock station or program to me.  After all, soft rock was the first format I latched onto as a kid.  Looking back, that doesn't surprise me.  The '70s and '80s were the best decades for hook-laden, radio-friendly soft rock tunes, in my opinion.  When former KDHX DJ Dr. Jeff hosted "The Big Bang," I looked forward to his twice-a-year yacht rock programs.  It was comforting to listen to three hours of yacht rock, knowing that I already knew the title and artist of every--or almost every--song and owned or liked the lion's share of them.

As adventurous as I am in seeking out music, I, like virtually every other listener, sometimes crave familiarity--and yacht rock offers that. 

Sunday, May 17, 2026

The greatest of backup roles

I've written before about how repetitive it is for a bassist to play the "Peter Gunn" riff repeatedly.  As Paul McCartney's closing credits performance on "Saturday Night Live" showed last night, however, that riff fits in very well with his 1980 hit, "Coming Up."

It was great to see the SNL cast and audience responding to that tune's appealing energy.  I wish oldies stations would play "Coming Up" more frequently, along with "Take It Away," which is unjustly overlooked today.

Saturday, May 16, 2026

Persistent earworm alert CDXXXVI

Since this morning, Chicago's "Thunder And Lightning" has been on my mind.  It surprises me that it never cracked the top 40 in 1980, as it's rhythmically, lyrically, and vocally solid.  The horns announce their presence right away, establishing the tune's mood.  The band maintains a driving energy throughout the song that serves it well, and the vocals between Peter Cetera and Robert Lamm contrast effectively.

Granted, the opening lyric, "I thought that you thought that we thought...," is phrased unusually, but it doesn't detract from the song's overall vibe. 

Alas, plenty of quality songs don't get the recognition they deserve.  Despite the band's multitude of hits, this is a rare time that happened to Chicago. 

Friday, May 15, 2026

Persistent earworm alert CDXXXV

Although it was a hit in other countries, it puzzles me that "Carnival" by The Cardigans didn't have similar success in America.  The song's intro grabs listeners by making them envision someone watching a scary movie before the power goes out and segues effectively into hook-laden, radio-friendly vocals.  Starting with the chorus was a smart move, as well.

It's a shame when a song so well-crafted and well-structured falls through the cracks.

Thursday, May 14, 2026

Persistent earworm alert CDXXXIV

I've been working a lot of extra hours lately.  While I'm pleased about the increased income that accompanies those hours, there's a hamster-on-a-wheel feeling that goes with an increased workload.  Consequently, "Pulstar," an instrumental by Vangelis, has been on my mind.  Its tense, race-against-time melody makes me imagine pedaling a bike increasingly quickly and facing a tight window in which to reach a destination.

That feeling is inevitable with most forms of work, I think.

Wednesday, May 13, 2026

Well, if it worked once...

Following up on yesterday's post about hearing Weird Al Yankovic's "Ricky" on KHTR, the same DJ back announced that song exactly the same way on at least two different days.  Both times, as it ended, he said, "Playing all the hits and sometimes the weird ones..."

I wonder how many more times he referred to "Ricky" that way.  After all, it isn't often in commercial radio that you can merge your opinion of a song with the artist's stage name.

Tuesday, May 12, 2026

When cutting someone slack is appropriate II

In 1983, I heard a parody song on KHTR.  When the DJ back announced it, I thought,"What did he say?  'Ricky," which spoofs Toni Basil's 'Mickey,' is by Weird Alley Ankles?  That can't be right."

A few weeks later, I learned it was by Weird Al Yankovic,  Alas, in pre-Internet times, before you saw a reference to an artist in a newspaper or magazine, saw it in a record store, or called a radio station and found out who it was, you had to live with your uncertainty.

Monday, May 11, 2026

Persistent earworm alert CDXXXIII

I must be feeling especially idealistic because my earworm today is "Dreams Of Harmony," a lullaby by Freyda.  Its lyrics paint a reassuring view of us all being part of humanity and having value.  When you're about to drift off to sleep, that's a comforting image to have--even though it describes a utopia and not, unfortunately, reality.

Sunday, May 10, 2026

Persistent earworm alert CDXXXII

During a somewhat draining week, my subconscious mind tries to lighten the mood.  That's the case right now, as "Peg Ryan's Polka," which the Buckhannon Brothers play on banjo, guitar, and bass, occupies my mind.  It strikes the right balance of being lighthearted but not over-the-top.  If you think reflexively that polkas are a frivolous musical genre, be advised that there's solid musicianship in this performance.

Saturday, May 9, 2026

Only in college CXIX

In 1993, near the end of my time at KCOU, another DJ mused, "What will Kruzin' Music (i.e. the oldies show I hosted) be like in the future?  What will (oldies) be?  (The band) Arcwelder?"

Over three decades later, based on what I've heard, oldies now include The Cranberries, Nirvana, Tracy Chapman's "Fast Car," "The Devil Went Down To Georgia" by The Charlie Daniels Band, and "I Can't Go For That" by Hall & Oates.

The '70s, '80s, and '90s don't usually take center stage on college radio stations these days, which isn't surprising.  They aren't forgotten, however, and that reassures me.

Friday, May 8, 2026

Context? CDXXXVI

I agree with the radio talk show host who said yesterday that she doesn't like blind taste tests; it often seems, as she said, that the taste testers are trying to trip people up and make them look silly.

Once, after noticing how often I put slices of yellow bell peppers in salads, I bought a yellow pepper.  This was a mistake, as I only ended up eating a small amount of it.  I realized then that I only ate small bits of yellow peppers as one ingredient among many in a salad.  It didn't mean I craved an entire bell pepper.   

That principle sometimes applies to taste tests.  Enjoying a small sample of a soda or other beverage doesn't necessarily mean you'll want to drink 20 ounces or two liters of it.  Sometimes, people just crave a bit of caffeine, sweetness, or bitterness.

Thursday, May 7, 2026

Lost in translation

In grade school, Mrs. S., the vocal music teacher, showed our class a production of The Music Man--as a series of slides.  As the class sat in silence, I thought, "I'm sure this is no one's fault, but wouldn't this be more effective if we saw it as a film or a video?  A soundtrack playing under stills of a performance isn't nearly as captivating as seeing the actual performance."

I didn't hate what I saw, but I kept thinking, "This is basically a View-Master presentation with audio."

Wednesday, May 6, 2026

Online radio sampler highlights CCXCVII

Today's standout tunes:

KOPN (Columbia, MO)

  • (What's So Funny 'Bout) Peace, Love, And Understanding-The Holmes Brothers (A good version of the Nick Lowe-penned tune, sung with the necessary sincerity.  Rhythmically, George Harrison's or Olivia Newton-John's versions of "If Not For You" would flow well into this.)

KVNF (Paonia, CO)

  • Me Skotose Giati Tin Agapousa-Elif Sanchez (A sorrowful folk tune, sung compellingly by this Turkish vocalist.)

WGDR (Plainfield, VT)

  • Out Of Nowhere-Django Reinhardt (It sounds like Leon Redbone should be singing over this 1937 instrumental.  Rhythmically, this reminds me somewhat of "Begin The Beguine."  Also recommended: "Between The Devil And The Deep Blue Sea.")

WJCU (University Heights, OH)

  • Here's That Rainy Day-Nancy Wilson (A captivating performance, due in equal measure to Wilson's vocals and the gravity of orchestral strings.)
  • Have You Ever Seen The Rain?-Karen Souza (Vocally and instrumentally, this is an interesting blues-meets-lounge-music take on this Creedence Clearwater Revival hit.)

WXYG (Sauk Rapids, MN)

  • You're Gonna Get What's Coming-Bonnie Raitt (A strong version of the Robert Palmer song, with appropriate energy and bite.  Before tonight, I'd never heard any radio station play this 1979 cover, so kudos to WXYG, "The Goat.")

Tuesday, May 5, 2026

Dibs

I was going to listen to Acoustic Alchemy's "The Beautiful Game" CD today, but my cat, Collette, wanted to hear it first:

I don't blame her.  "Trail Blazer," in particular, has a welcoming, upbeat melody, and the group turns U2's "Big Sky Country" into a credible jazz instrumental.

Monday, May 4, 2026

"Tonight's interminable baseball game, sponsored by..."

I think I was in second grade when my dad gave me a book listing the official rules of baseball.  As I read it, I thought, "I wonder if someone reads these rules aloud to the spectators before each game.  It would take a long time, but it's good for everyone to know what is and isn't allowed on the field."  I started listening to KMOX baseball broadcasts sporadically, making sure to catch the pregame features, thinking that there might be a reading of the rules before the game started.  I thought an umpire or perhaps the home team's president would announce to the crowd, "These are the rules of this official game!"

Alas, that never happened.  

"Oh, well," I thought.  "Baseball games are already pretty long, so it probably isn't realistic to expect someone to recite the rules.  I guess everyone just has to read the rules on their own time."

I have no desire to be a kid again, but it makes me smile to remember how endearingly naive we all are to some extent when we're young. 

Sunday, May 3, 2026

SiriusXM highlights CLXXII

Eight standout tracks heard today:

Bakersfield Beat

  • I've Got My Fingers Crossed-John Jorgenson Quintet (Instrumentally, this is an appealing blend of Dixieland and Grand Ole Opry styles.  Vocally, John Pizzarelli wound sound right covering this.)

Classic Folk

  • Down By The Riverside-Joe & Eddie (A vocally spirited rendition.)

Escape

  • One On One-Ronnie Aldrich (This Hall & Oates hit translates easily to a piano-and-strings easy listening instrumental.)

Hawaiian Vacation

  • Kaliponi Slack Key-Keola and Kapono Beamer (A pleasant, upbeat slack key guitar melody, suitable for driving or traveling by train.)

Holiday Traditions

  • Silver Bells-Margaret Whiting/Jimmy Wakely (The stronger vocal renditions of "Silver Bells" are often unhurried and capture a nostalgic feeling about Christmas.  This is one such version.)

Real Jazz Just Music

  • Prime Time-Joe Farnsworth (This propulsive, drum-powered instrumental could segue into "Compared To What" by Eddie Harris and Les McCann.)

RockBar

  • Take Me Down-The Pretty Reckless (Committed vocals over a rhythmically solid foundation.  Lyrically, "Take Me Down" confronts the question, "How much are you willing to do to become a rock star?") 

SiriusXM Chill

  • Behind Her Eyes-Sultan & Shepard (A steady beat without the underlying turbulence that underscores a lot of Chill genre tracks.) 

Saturday, May 2, 2026

One cool cat

Earlier this week, I was pleased to see my cat, Collette, get on board right away with Joe Henderson's "So Near, So Far" album.  She picked right up on the rhythm of the opening track, "Miles Ahead," and started washing her fur in time to it. 

I'm proud to have a cat who appreciates Henderson's masterful tenor sax playing--and a strong Miles Davis tune, as well.

Friday, May 1, 2026

A petty fixation LI

I was irritated with myself once when I finished an air break on KCOU.  "'Sit back and relax?'  Did I really just say that on the air?" I thought.  "That's such a cliche.  From now on, I'm resolving not to tell listeners to sit back and relax, even when I'm about to play relaxing music.  For good measure, I won't tell them to be tense and uptight, either--not that I was planning to say that anyway."