Wednesday, March 29, 2017

SiriusXM highlights LXI

March 18-29 standouts:

'40s Junction
  • April In Paris-Count Basie (Classy, steppin'-out-on-the town big band bliss, with "Pop Goes The Weasel" in the mix, to boot.)
The Bridge
  • Beautiful-Gordon Lightfoot (Some of the classiest, most eloquently sung lyrics fit for a Valentine.  I've always thought this tune is nearly on par with Lightfoot's most moving hit, "If You Could Read My Mind.")
Deep Tracks
  • Save The Country-Laura Nyro (Nyro had success writing for such groups as Blood, Sweat & Tears and The Fifth Dimension, who had a hit with this tune.  Still, she deserved more acclaim for her own performances of her songs, which featured her heartfelt vocals and piano playing.  Nyro captured the of-its-time idealism of the era in which she wrote "Save The Country," so it's a treat to hear her sing it.  Also recommended: Nyro's take on her own songs, "And When I Die" and "Stoney End.")
Escape
  • The Homecoming-Hagood Hardy (Conveys the feeling of a forest at dawn through Hardy's piano, the guitar, and orchestra.) 
The Groove
  • You Are In My System-The System (An ear-catching synthesized groove that holds up decades later.  I remember always letting this play out when I heard it on KMJM and WZEN.)
Heart & Soul
  • Holding On-Gregory Porter featuring Kem (Porter's vocals shine in traditional jazz and gospel arrangements, so it's interesting to hear him in a more contemporary context here.) 
Real Jazz
  • Up Jumped Spring-Art Blakey & The Jazz Messengers (Engaging drumming from Blakey and impressive trumpet runs from Freddie Hubbard on his own composition.) 
Siriusly Sinatra
  • My Foolish Heart-Charlie Watts Quintet featuring Bernard Fowler (Fowler's smooth, elegant vocals carry this rendition.  Also recommended: "Bewitched," "My Ship," and really, the whole "Warm & Tender" CD.) 
St. Paddy's Day Radio
  • Cunla-Planxty (An interesting mix of bagpipes and lyrics that skip along, requiring challenging enunciation.) 
Watercolors
  • Bang Bang-David Sanborn (One of Sanborn's more raucous uptempo tracks, thanks in no small part to the backing vocalists.)