Thursday, April 27, 2023

Stingray Music highlights CV

Noteworthy selections heard this morning:

Bluegrass

  • Mollie & Julie's Reel-The Special Consensus (This instrumental fuses bluegrass and Celtic styles compellingly.) 

Canadian Indie

  • As Much As I Can-girlpuppy (Endearingly sung direct sentiments acknowledging that sometimes, you can still love those with whom you have major differences.  The vocals are partially submerged under the instrumentation, but that's not a detriment when the rhythm is this solid.)

Classic Masters

  • Ludwig van Beethoven: Piano Concerto No. 5 in E-flat major, Op. 73, "Emperor" (Cleveland Orchestra/George Szell, conductor; Leon Fleisher, piano) (Fleisher plays deftly executed trills and delicate passages with equal ease.)

Cool Jazz

  • Mona's Mood-Blue Mitchell (Mitchell's trumpet tone was consistently warm and resonant.  His discography deserves considerably more air time than it generally gets.)
  • Worrisome Heart-Melody Gardot (Gardot's vocals show the depth and understanding of a much older torch singer.) 

Everything '80s 

  • Never Gonna Give You Up-Rick Astley (Admittedly, not every song has to be overly cerebral.  Sometimes, it's all about how catchy a song is and how well it stands up to repeated listening.  Several years ago, my brother heard kids on the street who wouldn't have been alive when the song was a hit singing it.  That--and the phenomenon of "Rickrolling"--show how a well-crafted 1988 pop hit has held up.  I'm curious to know who remembers Astley's similar follow-up hit, "Together Forever.")

Jazz Masters

  • Willow Weep For Me-Thelonious Monk & Milt Jackson (The piano and vibraphone coalesce compellingly.  I'm close to declaring that there are no bad versions of this song.)

New Age

  • Music For A Found Harmonium-Penguin Cafe Orchestra (This instrumental is a crafty blend of Classical and new age styles, reminding me of  Runa's "Dance In The Graveyard" melody.)